"...they have rendered unique visions of the psychic underside of England, visions as palpable as the monochromatic photograph (by Ball) on the back cover which celebrates the horrors of suburbia with an enquiring eye."
While I think that "horrors" might be overstating it ("quotidian monochromatic melancholia" might be closer), I think that Pinsent has identified a zeitgeist that resonates in the Storm Bugs tracks and the black and white slides I took as a young art student living in a rented bedroom on a grim housing estate on the edge of Chatham. Here is that photograph and others from the same roll, more or less as they came off the slide scanner, with their speckled patina of decay and age.
6 comments:
Should I recognize those curtains?
I'm not sure that you had the 'pleasure' of visiting Concord House.
No I think 'horrors" is about right actually....
I found it more melancholic in an everyday sense, but then I was living there.
timeless pictures, actually!
the outlook and gaze is intense, yet matter-of-fact documentative. objects, context and conditions surface and install themselves somewhere in nowhere-land, in a state of conscious, intuitive attention.
now here : no where : now here ...
no "horror", no "melancholy", just pure presence.
seems simple, but it takes an utmost contemplative, investigative gaze to realy see it, render the conditions and expose them. sort of framing reality.
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