Showing posts with label videoblog. Show all posts
Showing posts with label videoblog. Show all posts

Tuesday, 22 October 2013

Boundary Cyclone Transaction


Lists remind us that no matter how fluidly a system may operate, its members nevertheless remain utterly isolated, mutual aliens. Ontographical cataloging hones a virtue: the abandonment of anthropocentric narrative coherence in favor of worldly detail.

...ontography is a practice of increasing the number and density [of things], one that sometimes opposes the minimalism of contemporary art. Instead of removing elements to achieve the elegance of simplicity, ontography adds (or simply leaves) elements to accomplish the realism of multitude. It is a practice of exploding the innards of things.
- Ian Bogost, Alien Phenomenology

Boundary Cyclone Transaction is a video I made for the new season of DVBlog. The video takes Ian Bogost's characterisation of the ontographic list and uses it as a process by which to auto-construct a picture of a non-human, which is perhaps to say alien, world, using material found on or through the internet. As such it also presents a fragment of what might be considered as the consciousness of the internet as manifested in image, sound and text.

The video consists of collections of image sequences, written words, spoken words and sounds. The order in which each of those elements presents themselves to the viewer has been determined randomly, therefore any juxtaposition of the elements is entirely arbitrary. The words used are nouns, i.e. they are things, objects, they were selected using a random word generator. The sounds consist mostly of recording of environmental phenomena, such as weather or recordings of cosmic energies, generally speaking non-human sounds. The image sequences are all found online and consist of landscapes, insects, animals, images of microscopic organisms and viruses, astronomical image, in other words also largely non-human. Both sounds and images were found through using keyword searches. It was important in the making of the work for the elements to be as removed from what I might customarily intentionally select, for them to be as far away from the familiarity of the (my) everyday, as possible. 

Imagine this as a premise: 
the world as it appears is only as it appears to you 
and perhaps 
the world  
actually 
appears in arbitrary order
 
Alienation is a state arising from objects in the world as they present themselves inevitably arbitrarily and without a coherent narrative. In this video the use of random processes aims to make coherence impossible, or as difficult as possible, while still, due to the linear and temporal nature of its reception, will still self-organise into a kind of self-coherent ecosystem. The longer term aim is for this video to be realised in performance, to perform itself, using software to randomly order the playback sequence of the discrete elements and media objects (images, words, sounds) for every iteration. 

Boundary Cyclone Transaction on DVBlog 

Thursday, 3 June 2010

on the return of Direct Language


stuck somewhere

the word

the dissolve

refused to render

until the sequence

had been deleted

and even then

with difficulty...

 
...the return of Direct Language

Thursday, 7 January 2010

Direct Language on DVblog















Direct Language videos featured on DVblog today.

16 January update: more videos on DVblog.

Thanks Michael!

Thursday, 8 January 2009

Tuesday, 6 January 2009

Tuesday, 30 December 2008

Immersion, suspension, stasis...



So what is this?

This is s a sketch, an experiment, trying out an idea that I’m unsure about. It’s an experiment in making something that suggests or creates an affective state, an attempt to replicate the experience of something in such a way that the experience might be reproduced in the experience of the video, which might be considered to be attempting to reproduce a subjective state, or simply to replicate a situation as far as possible within the possibilities of a medium. Ideally it is intended to be experienced immersively, more of that later, but to this end the closest you can get to achieving some kind of immersion is if you watch it full screen
with the sound on headphones or better still the HD version at http://www.vimeo.com/2510462 (full screen with headphones).

Temporal slippage and the sensation of creeping jetlag, timelag. There’s a point when, after being on an flight for 12 hours, sleep seems impossible, weariness fills every limb, the dull hum of the engine, the occasional rough shuddering turbulence, the blinds drawn, seat reclined as far as possible, squeezed fetal, cabin lights dimmed, long slow feeling as though we could stay here forever, suspended animation, speed and perception, precipitates a kind of swirl of melancholy. It’s this creeping jetlag melancholia, a wistful, pensiveness born of suspension of time or its normal diurnal working patterns that I was trying to evoke: the suspension of a subjective experience of normality, a vague liminal hallucinatory state, a few kilometres over the Indian Ocean. This is the state that I am groping towards trying to recreate in this sketch.

The music that I’ve been connecting to this is the anti-drama of 90’s German techno: the more dubby ambient, deep, end of Basic Channel/Chain Reaction and Rhythm & Sound, or Plastikman’s Consumed, immersive spatial sounds, the sort of music that occupies narrow frequencies, is continuous and based on drones but with almost sub-sonic spatialised reverberant bass and rhythms, the sort of narrow frequencies of the pressurised container with the standing wave of the engine sound.

The interest here is in creating context, an environment, an affective situation rather than a perceptual spectacle or metaphors for vision and consciousness. Video here is not a ‘medium’, not here functioning as a carrier of information, or meaning, not in itself a stimuli for response, or to demand attention, and it is not a spectacle. It suggests rather that the viewer becomes immersed in the context that it creates.

Digital video is not so adept at being the presentation or a record of time past, it cannot easily be broken into discrete images that represent an indexical record of a moment. Digital moving image media is far more adept at thinking spatially. Compression dictates that any discrete moment, if it could be frozen in video, would represent not that one fraction of a second, but a merging of various particles of recordings of both preceding and following that moment, keyframing, bitrates all conspire against the representation of a temporal flow. So now temporal representation is a continuous streaming slippage of a number of points in time, all at once. If this is the case we recreate the illusion of the passage of time through perception and cognition, a slippage of multi-temporalities, or let’s say a lack of temporal specificity, suggests a spatial experience, multiple representations of time suggests the creation of continuity and place, in suspension, a few kilometres over the Indian Ocean.

The problem is that the video is inadequate in producing this context in and by itself without recourse to instructions to the viewer to watch it in HD, wearing headphones, or whatever. The possible best context for creating this context would be to create a space in which this video would be playing continuously, perhaps surround sound filling as much as possible the interior space, an immersive space itself standing in for an immersive space, a box, in installation. This line of enquiry is, perhaps, to be continued.

In the meantime, it has occurred to me that I have already made a film with these kind of immersive qualities, 17 years ago on super 8, it was intended to be exhibited in a cinema space, screening with continuous sound, Harmonic Maheno:


(watch it in full screen, with headphones... etc)

Monday, 21 July 2008

Attitude


click on image for QuickTime movie (9.7Mb)

Wednesday, 11 June 2008

Direct City Visions

On Sunday 15 June at 2pm I will be discussing my work alongside other artists and Tracey Warr at the Visions in the Nunnery show. Warr has curated City Choreographies a programme that concentrates on the relationship between the city and its pedestrian inhabitants, screening at the Nunnery on Saturday from 12 - 2pm and 3 - 6pm, at 2pm she will be in conversation with Alan Smith, one of the artists whose work is featured in the programme.

I'm looking forward to this very much as clearly the themes of Warr's programme connect strongly with the selection of Direct Language videos screening at Visions in the Nunnery (Direct Language 1, 8, 2.5, 2.7, 2.9, 3.2, 3.0, 4.0 and 4.5 - which can all be viewed on the videoblog), with their variously rhythmically edited sequences of skateboarders, ad hoc synchronised dancing in a Soho square, visual Dopplerised U-bahn trains, cable car landscapes, jittery urban spaces and so on, they are very much dancing about architecture, enunciations of the city space by the pedestrian inhabitants and the author, of course, is one of their number
.

Saturday, 31 May 2008

Direct Visions

A ten minute compilation of a selection of the Direct Language videos will be exhibited at Visions in the Nunnery between 6 - 15 June. The private view is 6:30 - 9:00pm on Friday 6 June, the Nunnery is at 183 Bow Road, London E3 2SJ.

With the exception of Outside and Unknown at the Pixelodeon and Screen Dump at cogcollective - both programmes dedicated to works from videoblogs - this is the first time videos made for Direct Language have screened publicly in a context outside of the web.

Usually using unostentatious settings as stepping-stone footage for the videos – from urban settings, interiors, and forests - the subsequently manipulated and precisely choreographed patterns mirror the concern for formal and cognitive visual rigor. Often palindromic and/or surgically sliced into rhythmic, repetitive footage with careful concern for soundtrack implications, the short pieces reveal, at times, surprising short-circuiting attentive observations from the seemingly banal out-sets. A study in the manipulation of the inconspicuous.

Direct Language has long since ended as an abstracted video serial journal project, it can be viewed in its entirety archived at Direct Language and I am also making a selection of the videos available as an unlimited edition DVD series, unostentatiously packaged in a plain cover with a handwritten label. This can be purchased for a nominal amount to cover materials, handling and postage. Email me for details with "Direct Language DVD" in the subject field.

Wednesday, 5 March 2008

Thursday, 25 October 2007

Lucca Ambulation




The Tuscan medieval city of Lucca is one of few with its wall intact, making it possible to walk a complete circuit around the city on it. Much of daily life takes place on the wall, one might say that the wall is the peripheral centre of Lucca. On a Sunday morning Martin Blažíček and I take a walk on the wall: I walk clockwise, he walks anti-clockwise, we meet back where we started. The walk takes 49 minutes, compressed here into two and a half.
QuickTime Movie 15.7 Mb


Wednesday, 27 June 2007

direct language 2.6

Direct Language 2.6
QuickTime Movie 1Mb 0' 59"

Saturday, 9 June 2007

Outside and Unknown


On Saturday 9th June Direct Language 3.2 screened in the Outside and Unknown: from the fringes of the vlogosphere programme in the Pixelodeon festival at the American Film Institute in Los Angeles, USA. The programme was curated by Jennifer Proctor. Happily for those of us unable to make the trip to LA, Jennifer sent me the programme details with links to the online versions of the videos which, now the programme has screened, I am able to post so that you can also enjoy it from the comfort of your own computer.

This screening is a celebration of international vloggers who push the limits of what the moving image can mean, especially in an online context. They treat video as poetry, painting, theater, soapbox, and laboratory. They fly under the radar, create for small audiences, and use the web as a venue for experimentation. You may not recognize all of their names, but they're producing some of the most groundbreaking work on the web, fusing videoblogging, filmmaking, and artistic practice.
- Jennifer Proctor

FutureSpots
Chris Black
Praise and Sensation 1:10

Direct Language
Steven Ball
Direct Language 3.2 :45

en video
Juan Luis Casañas Ballester
Luz 1:10
Tacto 1:05

String-Swords
Seth Diehl
eyes open :50

Video Haiku
Kevin O
Pigeon Mob 1:30
Hot Dog Rollers 2:00
Train Bridge 2 1:55

the wave
Jimi Bogdanov
Film # 55 2:25
Film # 57 2:00

vorspiel
Rasmus Jørgensen
Just that moment 1 :30


the fever 5k
Jason Talbot
VII :50

The DIY Animation Workshop
Andrew Lynn
sundance 1:25
Global Good War :45
Paper Dream 1:25
A Frog is a Frog 1:00

David Howell Studios
David Howell
Morning Walk 1:00

Matt Black's Video Sketchbook
Matt Black
Phở Lunch 1:16

R, S, T, & V
Violet Lucca
victoria's secret 3:10

Mmmff
Zach Kmiec
Wikitchen 2:50

El Gringo Loco
Jeremy Smith
Technical Difficulties :40
Guitar Mix Up :40
The hand that feeds you :40
Closer Train 1:00

DeanWolf.net
Dean Wolf
kaleidobirds :30
tree stencil 090606

Scenes of Provincial Life
Michael Szpakowski
Woodland Oratory :35 (silent)
The Garden, May 20th :28
Home Movie :30 (silent)

SpaceTwo: Patalab
Sam Renseiw
On motion analysis and treadmills 1:26
The snow queen's psychogeography 1:49
The lapse of time between two instances 1:48

The Film of Tomorrow
Trine Bjørkmann Berry
Stretching Before and After 1:20

Kinetocast
Mack McFarland
watch to alleviate aesthetic static 1:00
to watch after the White House Press Briefing or with the apathetic 1:25
to watch in preparation of deep fall 1:25

This Side of the Cave
Juan Carlos Gonzalez
video: inspector is coming 2:25





Friday, 4 May 2007

direct language 4.5

Direct Language 4.5
QuickTime Movie 7.5Mb 1' 21"

Saturday, 28 April 2007

Sunday, 22 April 2007

direct language 4.3

Direct Language 4.3
QuickTime Movie 22.5Mb 3' 37"
An installation by Petr Nikl
and a performance by Eric La Casa, Jean-Luc Guionnet and Philip Samartzis, Orbis Pictus - interactive exhibition of musical instruments, Czech Museum of Music, Prague, 21st April 2007.

Monday, 9 April 2007

direct language 4.2

Direct Language 4.2
QuickTime Movie 11.4Mb 2' 00"

Thursday, 1 March 2007

Daydream Voodle 01

Daydream Voodle 01 QuickTime Movie 2.4Mb 1' 03"
Two days before the word had been invented we had all made our first voodle at the Carlsberg brewery in Copenhagen on Friday 23rd February 2007. Professor Ham develops a good description and working definition of the voodle over on Brut Smog.

Sunday, 25 February 2007

Daydream Workshop

Snow Factory Quicktime Movie 53 secs, 6.4Mb
Copenhagen, 25th February 2007

Tuesday, 23 January 2007

direct language 4.1














Direct Language 4.1
QuickTime Movie 984kb 00' 28"