Sub Zero Degrees

Musing about the sometimes held misunderstanding between 'structuralism' in British experimental film and the same name given to post-existentialist French philosophy, I was excited to see that Sam Renseiw had appropriated Say Zero, positing an intriguing suggestion of what French Structuralism applied to a moving image work can produce. Refining his text, I attend to the grain of the voice, on the distinction between jouissance and identification in illusion.