The MisALT Screening Series returns this Sunday, October 16th at a new location and with an exciting program of experimental film and video that explore and celebrate the distortion, destruction, and decomposition of their respective mediums.
MisALT Screening Series Presents: Glitch vs Scratch.
Sunday, October 16th, 2011. 8pm , $6.00
Artist Television Access
992 Valencia St. San Francisco, CA
This screening seeks to create a dialog between artists working in Scratch Cinema (film based practices that make interventions on the celluloid level) and Glitch based video and media practices (which manipulate images by exploiting vulnerabilities on the molecular and electron level of video tape and code), to bridge the gap between work that focuses on the material underpinnings of cinema and work that brings attention to the often invisible foundation that lies beneath the digital moving image.
The bubbling, flickering, abstractions of decaying, damaged, and melting celluloid meet the frantic and ghostly distortions of mangled signals and scripts.
Featuring:
Jodie Mack, “Unsubscribe #3: Glitch Envy”
Tsen-Chu Hsu (Taiwan), “Cotton Sugar”
Florian Cramper (Netherlands), “How to picturize two Kafka short
stories within one hour in a hotel room”
Charlotte Taylor, “Secrets”
Péter Lichter (Hungary), “Light Sleep”
Alberto Cabrera Bernal (Spain), “12 Erased Trailers”
Christine Lucy Latimer (Canada), “MOSAIC”
Anna Geyer, “Good Bye Pig”
Nick Briz, “Binary Quotes”
Adam R. Levine, “Koh”
Michael Betancourt w/ FsLux, “One”
Steven Ball(UK/Australia) “The War on Television”
Lili White, “Got ‘Cha”
Drone Dungeon “Phantom Wegman I-III”
Channel TWO “In a []”
Ted Davis “What make up a Surprising Image”
Lennon Batchelor “Focus on the Family”
Curated by Tessa Siddle
MisALT Screening Series Presents: Glitch vs Scratch.
Sunday, October 16th, 2011. 8pm , $6.00
Artist Television Access
992 Valencia St. San Francisco, CA
This screening seeks to create a dialog between artists working in Scratch Cinema (film based practices that make interventions on the celluloid level) and Glitch based video and media practices (which manipulate images by exploiting vulnerabilities on the molecular and electron level of video tape and code), to bridge the gap between work that focuses on the material underpinnings of cinema and work that brings attention to the often invisible foundation that lies beneath the digital moving image.
The bubbling, flickering, abstractions of decaying, damaged, and melting celluloid meet the frantic and ghostly distortions of mangled signals and scripts.
Featuring:
Jodie Mack, “Unsubscribe #3: Glitch Envy”
Tsen-Chu Hsu (Taiwan), “Cotton Sugar”
Florian Cramper (Netherlands), “How to picturize two Kafka short
stories within one hour in a hotel room”
Charlotte Taylor, “Secrets”
Péter Lichter (Hungary), “Light Sleep”
Alberto Cabrera Bernal (Spain), “12 Erased Trailers”
Christine Lucy Latimer (Canada), “MOSAIC”
Anna Geyer, “Good Bye Pig”
Nick Briz, “Binary Quotes”
Adam R. Levine, “Koh”
Michael Betancourt w/ FsLux, “One”
Steven Ball(UK/Australia) “The War on Television”
Lili White, “Got ‘Cha”
Drone Dungeon “Phantom Wegman I-III”
Channel TWO “In a []”
Ted Davis “What make up a Surprising Image”
Lennon Batchelor “Focus on the Family”
Curated by Tessa Siddle
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